This list will be updated regularly as titles are added to and removed from Peacock.

Peacock may not be as prolific as Netflix or as packed with quality programming as Hulu, but in the years since its 2020 launch, NBCUniversal’s streaming service has carved out a niche as the home of The Office, Best Picture winner Roma, and more. When it comes to television, Peacock’s supply of prestige dramas is a bit limited compared to many of its competitors. But its comedy catalog—featuring great original series like Poker Face and Killing It, along with decades’ worth of classic NBC sitcoms—is second to none, while Bravo and E! keep the platform stocked with some of the most popular reality TV franchises in existence. Here are some highlights. (An asterisk denotes that a title is a Peacock original.)

Best Comedy Series on Peacock

Poker Face*

The best Peacock original to date is this series created by Natasha Lyonne and starring Lyonne as a wry, big-haired Columbo for our time. Its first season takes Lyonne’s Charlie Cale—who has an uncanny ability to tell when someone is lying to her—on a solo cross-country road trip, as she flees a bloodthirsty employer in Vegas, pausing to solve murders at Texas barbecue joints, Tennessee race tracks, and on tour with a metal band fronted by Adrien Brody. The final episodes take a darker turn, setting up season 2, which was renewed for a second season in 2023, for what we can only hope will be a lengthy run.

We Are Lady Parts*

Polite Society filmmaker Nida Manzoor’s raucous British comedy follows five young Muslim women—four musicians and their mysterious, niqab-rocking manager (Lucie Shorthouse’s Momtaz)—who form a punk band called Lady Parts. From brash, independent Saira (Sarah Kameela Impey) to timid Amina (Anjana Vasan), a grad student searching for her perfect arranged marriage, the characters are a study in contrasts that subtly counters pop culture’s monolithic depictions of women from Islamic backgrounds. Yet We Are Lady Parts is no dutiful study in representation; it’s hilarious, and packed with songs bound to get stuck in your head.

Bupkis*

plays himself, style, in this underrated comedy set in his home borough of Staten Island. Like his best work, (usually) strikes the right balance between sophomoric humor and honest depictions of fame, addiction, mental illness, and family relationships. Speaking of which— and co-star, wonderfully, as Pete’s mom and grandfather. Word to the wise: skip the first episode, which is both idiotic and unnecessary.

Killing It*

The Office fan favorite Craig Robinson stars in this extremely dark, addictively serialized comedy as Craig Foster, a broke, divorced dad and aspiring saw palmetto entrepreneur chasing the American dream—of becoming obscenely rich. Unlike his savvy, career-criminal younger brother, Isaiah (Rell Battle), Craig is determined to make his fortune honestly. Wild adventures ensue, as he meets gig-working weirdo Jillian Glopp (Claudia O’Doherty) and the pair enters a contest that offers a $20,000 prize for killing the most specimens of an invasive snake species. Killing It is one of TV’s sharpest satires of 21st century economic inequality, so here’s hoping that the two seasons that have already been released are soon followed by a third.

Everything I Know About Love*

Author Dolly Alderton adapts her own perennially best-selling memoir that recounts her misadventures as a single 20-something in London. Warm, breezy, and peppered with lighthearted early-2010s debauchery, is just as perceptive about friendship and the precarity of post-collegiate existence as it is about romance. Of particular note is star Bel Powley’s empathetic performance as protagonist Maggie’s (Emma Appleton) sweet, unglamorous, often-neglected best friend, Birdy.

The Resort*

Andy Siara, the master of surreal humor who brought us Palm Springs and Venom, teams up with ult